Wednesday, 22 February 2012

The Wooden-Legged Elephant - Chapter 1


“Out Of Bounds Means OUT OF BOUNDS!” shrieks Father Kelly.

“You don’t fucking say…” One of the things I like about Bolley is that even when he uses words I haven’t heard of, I do know what he means. I have to guess how to spell them though, because they’re never in The Catholic Family Dictionary, and he never knows. His spelling is shight.

I am eight years old, nearly nine. The sun is coming through the big windows of the assembly hall, which is good news because, if the rain keeps off, we get to play football after lunch. Our school, St. Stephen’s, hasn’t got a pitch, so on Tuesdays we walk down the main road to the protestant school in Underchurch, which has got a cracking one with proper white lines and corner flags and nets. You would think that it would be the other way round and the Underchurch kids would have to walk up here to use our pitch. I’ve noticed, though, that being a Catholic doesn’t always mean you get better treatment than protestants, even if we get spelled with capital letters and they don’t. Me nan says this is because God moves in mysterious ways.

We get changed in the classroom here. Today I can’t wait, because I’ve got a new Everton shirt. Actually, it isn’t new. It was Davie’s from down the road, but he’s too big for it now and his mam gave it to me nan – they know each other from church. I pulled it on over my uniform in the playground before the bell rang, and showed it to Bolley. I would have let him have a go at wearing it too, but it was too small for him.

It’s hard to concentrate on thinking about my shirt at the moment, though, because Father Kelly is off on one. Usually he talks dead slowly, like a divvie, with Capital Letters everywhere. And he can’t say his “r”s.

“Pwear is the Answer. If we stop Pwaying then we turn our Backs on

lmighty God.” When he stops, and he’s always stopping, we’re supposed to Think and Reflect. It’s no use, though. He could let us Think and Weflect until the Last Judgment and we still wouldn’t know what he was talking about.

He talks bollocks, Bolley says. It’s funny – Bolley can’t spell, like I said, and I have to help him when we have a test, and he always gets bad marks in English, but his words sound like what they mean, and you could listen to him all day. But listening to Father Kelly is like listening to a robot that’s not working properly. It’s funny for about half a minute and then you just get bored. It’s bad enough him talking in Capital Letters all the time, but when he is angry he speaks in BLOCK CAPITALS. And he is always getting angry – as Bolley says, he might not be able to say his “r”s but he’s great at seeing his arse, and when he does there’s no way you can listen to him for long. His words hit you and bounce off you, a bit like me grandad’s sledgehammer off the concrete. Me grandad works on building sites and sometimes he lets me go and sit in the cab of one of the cranes or watch him smashing stuff. I heard him say to me nan once, when he thought I wasn’t listening, that Father Kelly is a dreadful fucker.

“He’s English.” says me nan, which is not something you want her to say about you, even if you are. “Still, a priest’s a priest.” Though you can tell that deep down she thinks he’s a dreadful fucker too. She wouldn’t say it like that, obviously, because she only uses words from The Catholic Family Dictionary, and “fucker” isn’t in it. I checked.

When me nan starts going on about the English, me grandad mutters and pours himself a Jameson’s. He keeps the bottle by his armchair and he has got this glass that he won’t let me nan wash. “Sure, the whiskey kills more bacteria than soap and water ever will.” Before he drinks it, he holds it up and smiles at it. Me nan says that long before I was a twinkle in my poor daddy’s eye, Grandad used to smile at her like that. And he didn’t use to mutter.

“Jimmy O’Hare, now he was my idea of a priest.” Me grandad’s voice is quieter than other people’s, but he’s easy to listen to because he puts loads of his words into italics, especially after he’s had a few glasses. Evie, me nan’s fat friend from Manchester, the one who smells really old, says I talk like him. She says I’m precautious, which I think must be bad, because it isn’t in The Catholic Family Dictionary either. I read too much for a kid, she reckons.

Anyway, like I was telling you, Kelly is seeing his arse about something.

“DO…I MAKE MYSELF…CLEAR?”

The hall goes dead quiet, and you can hear the piece of paper shaking in his horrible yellow hand. He always trembles more when he is not smoking.

“Stephen Libble, come out here, Now.”

I get a funny feeling in my stomach, like I need a pooh. Bolley steps forward. “Bolley” isn’t his real name, you see. His real name is Stephen Libble. The rows of kids part for him like the Red Sea. Like the Dead Sea. No one is breathing.

“STEE-PHEN LIB-BLE!!!” Father Kelly uses hyphens and exclamation marks a lot too. I like hyphens (and brackets) but I hate exclamation marks. Miss McManus, who is pretty and our student-teacher this year, told us they are ugly and unnecessary. “Like fascists, and mosquitoes,” she said, “though I don’t suppose you get many of those in Birkenhead.” “Like Liverpool supporters, I said – we get loads of them.” And she laughed. She’s even prettier when she laughs and I think she secretly supports Everton, though she didn't actually say she does. She laughed again when I asked her, and stroked my hair, and then I forgot about Everton.

“STEE-PHEN LIB-BLE!” He repeats himself a lot too, Father Kelly. And his mouth and chin shake when he screams. The glass in his glasses is like the bottom of a milk bottle before you rinse it out, and his eyes are like the ones on the dead fish in Collins’s shop window.

“Who Do You Think You Are?”

Bolley is crap at grammar and spelling, like I said, but he’s not stupid. He knows who he is. And he knows that sometimes teachers ask you questions they don’t want you to answer. He is the cock of the lower school. Everyone knows that. Fat Boy, who fancies himself as a bit of an expert on these things (Bolley says that fat boys become experts on things to make up for being fat), can tell you how many fights (nineteen) he has won and how many (none) he has lost. Usually you can bet with McInerny on who will win a fight. But not on Bolley.

“Do you Think we make these Wules for Fun?” I think the answer to this question is supposed to be “No”. But the weird way Kelly smiles when he says it, makes you Think and Weflect.

“Is Football more Wimportant than Aaall-Mighty GO-O-OD?”

The answer to this is also supposed to be “No”, but Bolley’s got this smile on his face like rubbed out pencil. You have to look close to see it, but it’s there. And you can tell that he wants to say “Yes, it is. So fuck you, fish-eyes.” And the thing with Bolley is, you know he might do it. But even though part of me wants him to say it, part of me is scared for him. In The World of Insects, which me grandad got me for my birthday, there’s a picture of a praying mantis. It’s the dead spit of Father Kelly, and it’s about to eat a friendly-looking little bug. Bolley isn’t little, but next to Father Kelly he looks like he is.

So I say a prayer. In the name of the Father and of the Son and of the Holy Ghost. He only went to get the ball back, God. It was a good, Catholic thing to do. And it was such a great game (four-all, if You remember, with three minutes to go), and it’s not like he went into someone’s garden, he only went into the spinney, and that’s part of the school. It shouldn’t be out of bounds at all. He didn’t even step on any flowers there, for Go…for goodness sake. Please don’t let Kelly beat him. Amen.

Father Kelly is looking down the hall with his horrible dead-mackerel eyes. When he looks at you, you want to start crying and shout “Yes, it was me, but don’t hurt me anyway.” Bolley doesn’t say a word but he smiles his fuck-off smile. That makes me feel good, like when Everton score. But there’s no way that Kelly is not going to cane him now. If I was God, I’d send down a flash of lightning and blow the priest’s hand off, but I know that the real God doesn’t do stuff like that. This makes me so angry sometimes that my head hurts.

“Let this – be a Lesson – to you All! – gwow Up – to Wespect – our Father win Heaven!”

Father Kelly sort of smiles when he hits people. Bolley doesn’t cry till the fifth stroke, and he doesn’t cry with his mouth. There’s just two tears. They actually look quite cool. And his face still says “Fuck off”. But the priest is still smiling that strange smile. He’s scary. I think he scares Jimmy Harvey, the school protestant, because Jimmy pisses a pool onto the floor, and Helen Davies in front of him ends up in it, and the shock of it makes her piss her own pants. Helen Davies is an immigrant from Betws-y-Coed. She’s a methodist and the only other non-Catholic in the school. I suppose that’s God and his mysterious ways again.

Mrs Berry, who has eyes like a shit-house rat, is over like a shot. While she is hauling the pissers away, a girl I have never seen before, with a crumply face and yellowy-brown eyes, turns and looks at me.

“Wasn’t me,” I say, and then feel stupid.

She smiles like she thinks I’ve made a good joke, and I get a funny feeling in my stomach again, but this time I don’t feel like I need a pooh.

The Wooden-Legged Elephant is available in paperback and electronic (Kindle, iPhone, iPad, Android, PC and Mac) format at amazon.com, amazon.co.uk, amazon.it, amazon.fr, amazon.de, etc.

Cover: Matthew Watkins, "Elephant in the Library" www.watkinsmedia.com

Monday, 20 February 2012

The Raft of the Bunnies


It had been one hell of a stag night. Actually more heaven than hell, if Kevin was honest with himself. All those nymphomaniac bunnyettes in the Night Warren, the magic carrots they’d bought from that dodgy-looking hare, and more lettuce cider than any lagomorph with half a brain would ever dream of drinking in one evening. Not surprising then that Wayne had been puking over the side of the raft ever since they got back on board, while Billy was slumped, hungover-head in paw, half-heartedly restraining an unconscious sibling from slipping into the rather lively waters of the Leporid Channel.

Someone, probably one of the two stoned carrot-heads in the bows, was singing a tuneless version of Mr Tambourine Bunn, and Kevin wished they would stop. He probably should have been feeling guilty. In spite of all his faithful promises to his fiancée Sharon, he’d ended up back in a bohemian burrow with a couple of very cute and wholly uninhibited twin cottontails, and they’d spent most of the night making the beast with three backs... Three backs…? How had that worked exactly? … Shit, those magic carrots were still blowing his mind!

Kevin leaned over and ducked his head into an icy wave. When he looked up, through clearer eyes, he saw a sailboat racing towards them. Carrots or no carrots, Sharon was suddenly looking decidedly different from how he remembered her.

This mini-story was inspired by "The Raft of the Bunnies", an ipad fingerpainting by Matthew Watkins. Website: www.watkinsmedia.com

Sunday, 26 June 2011

Learn Yourself... French Film-Making

Bored? Suicidal? Tired of feeling cinematographically and intellectually inferior to the Gauls? Don't just sit there and top yourself! Get off your angst-ridden cul and treat the world to your own unique vision of bleakness. By following the simple guidelines below, with no more effort than it takes to skin an escargot you will be able to produce an oeuvre that will purge the merriment from even the most high-spirited of cinema-goers.

Les Règles
1) Plot. Should contain a series of implausible coincidences and wholly arbitrary events designed to fuck up the lives of as many of the main (and minor) characters as possible. The perfect storyline traces the evolution of crisis into despair.

2) Themes. There are four obligatory themes: the futility of existence, the dysfunctional nature of human relationships, mental breakdown, and solitude. Never attempt to introduce others.

3) Characters. The Académie d'Excellence pour la Dépression recommends that all characters should be drawn in adherence to the following principles:
- Children 0-15 – best omitted; where their presence is strictly necessary, they should be the victims of abuse, trauma or atrocity.
- Adults 16-30 – surly; driven by existential uncertainty to seek meaning in beautifully-choreographed sexual encounters with implausible partner(s) (homeless priest, best friend's father/mother/father and mother, etc).
- Adults 30-60 – resigned to absurdity of existence; strive in vain to undo damage caused by disastrous sexual encounters during 16-30 phase.
- Adults 60+ – mad and/or senile as result of joyless, purposeless middle age; in occasional moments of lucidity offer shrewd, sardonic insights into hopelessness of human condition.

4) Humour. Post-modern (i.e. not funny).
e.g.
- Ça va bien?
- Oui, ça va bien.
- Bien ! C'est bien quand ça va bien.

5) Casting. Essentials are: a male lead who never smiles (ideally, Daniel Auteuil); a ball-achingly beautiful female lead; assorted plain women with page-boy haircuts and refined neuroses; Jean Rochefort + moustache.

6) Soundtrack. Instrumental pieces should be discordant, lyrics pretentious, bizarre and/or unfathomable.

Sunday, 27 September 2009

Blue Blue Karma’s Going To Get You

Apologies to Phil Jagielka, but my first reaction this week on reading the headline “Everton Player Robbed” was to wonder whether the police have asked Clive Thomas, the former so-called “referee”, about his alibi for the evening in question. Don’t get me wrong: I’m not one to harbour a grudge against a bloke simply because he ruined my childhood by disallowing the perfectly good goal that would have won Everton the 1977 F.A. Cup semi final against Liverpool. After all, anyone with pathological exhibitionist tendencies and a deep-seated need to be at the centre of attention can succumb to the temptation to make up his own rules on the spur of the moment. No, the reason I would be asking Mr Thomas to help with police enquiries is not festering rancour but genuine concern for the wellbeing of the little Welshman’s soul.

Let me explain. During a recent pub conversation about ethics with my friend Aristotle McGuinness*, I was intrigued to learn about the concept of “fukarming”, which, it emerged, is the process of laying a curse on (or “fucking up”, to use the oriental term) an individual’s karma, thus helping to ensure his or her enduring misery in future lives.
“My question to you this evening,” said Aristotle, who after a few Newcastle Browns tends towards the illusion he is chairing Question Time, “is ‘Do you hate anyone enough to want them to suffer for ever? In the sense of FOR EVER.’”
“Clive Thomas,” I replied without thinking. “It wasn’t just that he got the decision wrong; it was that he knew he was doing wrong. It was a crime. If it was simply a mistake, why didn’t he explain or apologise?”
“My feelings exactly,” interjected the nun on the bar stool next to me. “Even the Liverpool players didn’t protest when the ball went in… I’ll say that again – it’s a phrase you won’t hear very often: Even the Liverpool players didn’t protest. Our Mother Superior at the time wrote to the Vatican to ask if it was possible to excommunicate Methodists**.”
“Interesting,” mused Aristotle. “So, basically, there are still tens of thousands of Everton supporters who would like nothing better than to see this man suffer?”
“I personally wouldn’t piss on the guy if he was on fire,” declared the nun. “And I know for a fact that Sister Veronica is praying for him to be reincarnated as a pawless rabbit with a rusty whistle stuck up his…”
“His karma is evidently in a dreadful state!” chipped in Aristotle. “From what you tell me, it sounds like the man is destined for one hell of a nasty future. What would it take for you to bekarm him?”
“If ‘bekarm’ means to lay off his karma, then I guess I’d take an attempt at an explanation and an abject, tearful apology on bended knee,” I admitted.
The nun looked doubtful. “No,” she said, after a few moments thought, “that would be nowhere near enough. The only way out for him now is to admit to a heinous crime he didn’t commit and pay the price for someone else’s wrong.”
“That’s magnificent, sister!” exclaimed Aristotle. “A crime he didn’t commit! Oh, the poetry of karma!”

So you see, Mr Thomas, no hard feelings. We really are just trying to help you. Perhaps you would like to start making your way down to the station? It’s for your own good.

*Aristotle’s mother originally named him Baz, but he was re-baptised after enrolling on a philosophy course at Birkenhead Technical College in the early 1980s. As a Tranmere Rovers supporter – an allegiance which may go some way towards explaining his chosen subject of study – he tends to be more objective than most Merseysiders in matters relating to the Everton and Liverpool football clubs.

** Apparently it wasn’t.

Sunday, 20 September 2009

Jean-Paul Sartre Was An Evertonian

Jean-Paul Sartre once said that the only way to teach a child the difference between right and wrong was to put a blue shirt on him – or her (Sartre was genuinely avant-garde) – and take him – or her (Sartre was also consistent) – down to Goodison Park on a wintry samedi afternoon. It is thus with a sense of duty as well as eagerness that I tug my four-year-old nephew N through chill winds and driving August rain to see his first big match. We leave early because N is so absurdly good-looking that, wherever you take him, women stop you to ask his name and age and for details of his nursery career to date. Quite what they intend to do with this information has never been clear to me, but it seems to be of compelling importance to them.
While we are waiting for the train at Moorfields, a fraught-looking mother enquires earnestly of N about his favourite foodstuffs, rather as if by unearthing precious nuggets of dietary information she will be able to transform the spotty goblins at the end of her arms into the stars of Primary School Musical or something. Chocolate biscuits and flapjacks ain’t going to work that particular miracle, darling; you’d be better off trading your sprogs in for some kind of novelty pet – at least that way you’d have some half-decent photos for the family album.
By the time we reach Goodison, N is wet through and is losing his voice as a result of fielding rapid-fire questions from a group of scally girls taking the train to an afternoon rave in Ormskirk. The sight of the players warming up on the pitch raises his spirits, however, and, hoarse though he may be, he sings along with pride to “We’re Forever Everton”. I am hugely impressed by the fact that he knows all the words.
The general consensus in the Paddock is that this is a good time to play Arsenal: “Not into their stride yet…going to miss Adebayor…new signings still bedding in…first game of the season, anything can happen.”
“Is that Yakubu?” asks N, pointing to a slight, pale figure practising his crossing.
“No, N, that’s Leighton Baines. Yakubu is injured, black and three times the size of…”
N dissolves into the mischievous laughter he reserves for occasions like when I caught him, rubber glove up to his elbow, firming industrial-quality Playdough from a builder’s sack into the U-bend of the toilet.
“Oy, Funny Boy, you’re only four – I do the humour round here.”
He is still chuckling at his own joke when Arsenal score their first goal, but by the time it is three nil his eyes have the glazed-over look usually associated with shell-shock victims.
“His first game?” asks the bloke next to me.
N and I both nod grimly.
“Do social services know?” he quips, as Everton’s defence disintegrates again: four nil. The away supporters strike up with “Boring, boring, Arsenal!”, presumably intending the participle in the sense of drilling through with relentless force, and I begin to wonder whether N will be permanently traumatised by this humiliation. In injury time, at six nil (Arsenal are incontrovertibly “into their stride”, they are not missing Adebayor in the slightest, and at least one of their new signings has not only "bedded in" but is playing the game of his life), the child announces that he needs the toilet. I myself feel like throwing up, and the prospect of not having to observe the spectacle on the pitch for another three minutes is actually quite welcome, so I resist my first impulse to tell him to tighten his bladder and hold it in till the final whistle.
For the first time in well over an hour, N regains a certain joie de vivre as he attempts to dislodge a fly from the upper part of the urinal by aiming his jet stream high and to his right. The insect remains dry and unperturbed, but an old guy zipping up and turning away catches a generous lashing of spray down the back of his trousers; fortunately he is too shocked and depressed to notice. Suddenly there is a muted roar from the crowd, but before we can return to within sight of the pitch the final whistle blows.
N’s first match is over: we have lost six one and even contrived not to see the miserly consolation goal. Utter disaster.
“That was really sad,” says N, as we emerge onto the Bullens Road, but it is only when he wistfully adds “I nearly got him”, that I realise he is referring to the fly. Sartre would probably have approved.